#baseline research
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no one is allowed to argue with me about zionism unless they can:
explain the difference between zionism and kahanism
name and describe at least 3 distinct branches of zionism
name and describe at least 2 distinct fringes of zionism. I will accept fringe groups that existed in the past but are no longer here.
properly explain the difference between zionism, nonzionism, and antizionism
explain the difference between zionism as a political movement and zionism as a cultural/spiritual aspect of judaism.
be able to explain at what time zionism (political) and zionism (cultural/spiritual) began. no need for exact dates bc this isnt history class, but a knowledge of the general time period is necessary.
tell me how many jews, percentage-wise, feel as if israel is important to them in some way. a range of numbers is acceptable.
name one jewish prayer that has the word "israel" in it (hint for goyim: if you have to think too hard, maybe you dont know enough about judaism)
you must be able to articulate all of this in your own words. using sources is heavily, heavily encouraged as well as providing the sources that you used. however, if I find youre taking your answers from the first result on google or the AI overview without even opening a singular article, the conversation ends immediately.
#jewish#jumblr#seriously I didnt spend years researching this shit#just for ppl who dont have baseline knowledge to try and argue with me
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how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁
I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:
Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?
What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)
What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?
Etc
And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.
If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)
For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.
Here's some example questions for forming a style (some are more baseline than others)
Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?
Is there favored material(s)? Beads, bone, clay, metals, stones, etc.
When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?
How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?
Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?
Are there common visual motifs? Important symbols? Key subject matters?
What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)
Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?
Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)
Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?
Etc
Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).
Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)
Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.
#I have a solid baseline because I like learning about history so don't do this like. Full research process every time. It's just the gist#of what the core process is.#I think I've gotten a similar question about clothing in the past that I never answered (sorry) so yeah this applies to that as well#Though that involves a heavier preliminary research end (given there are substantially more practical concerns that shape the#making of clothing- material sources they have access to (plant textile? wool? hide? etc). The clothing's protective purpose (does#it need to protect from the sun? wind? mild cold? extreme cold?). Etc#Also involves establishing like. Beauty conventions. Gendered norms of dress. Modesty conventions. Etc#I think learning about the real world and different cultures across history is like. The absolute most important thing for good#worldbuilding. And this means LEARNING learning. Having the curiosity to learn the absolute myriad of Things People Do#and Why We Do Them and how we relate to shared aspects of our world. The commonalities and differences. I think this is like...#Foundational to having the ability to synthesize your own rather than just like. copy-pasting concepts at random
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Fellow mythkin, cryptids, other nonhumans of the like, urban legend enthusiasts, and people in the anthropology (such as myself) or religious sciences fields:
#just noticed the irony of a nonhuman choosing anthropology as his major#please do note I'll use my own non-USAmerican upringing and culture as baseline of research#and that stories here can get batshit insane#*Poll#*My post#otherkin#nonhuman#mythkin#mythical nonhuman#cryptidkin#therian#beastkin#ghostkin#theriomythic#alterhuman#therianthropy#otherkinity#voidpunk#cryptidcore#anthropology#social studies#religious studies#divinekin#demonkin
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when my roommates put things back in the kitchen incorrectly it makes me frustrated and angry. apparently, did you know, this is not a thing all or most humans experience ? some people don't have an intense emotional reaction to things not being stacked in the optimal way, or pans not being put back in their "usual" spot. did you know this. did you.
#personal#I'm having an online interview on autism tomorrow and so I'm researching and reflecting more#not like this is ground breaking or anything but just. it's interesting to me that this typically doesn't elicit an emotion for people.#I've been crying a lot over autism videos#I haven't had a chance to process my diagnosis yet really and there's still so much for me to learn and accept about autism#like feeling shame and guilt bcs of disability has been a huge problem for me lately. not being able to accomplish what I want to.#and seeing videos of other autistic ppl who were really attached to the idea of who they would become when they got older#or identified a lot with who they were while masking#and now have to let go of those things. and figure out who they actually are and are capable of doing without burnout.#whoof man. its a lot. i still haven't let go of who i thought id be when i grew up. to the extent that said struggle is part of my identity.#it's just. I am autistic. several medical professionals familiar with autism saw me and went 'yeah you are autistic'.#I spent so long learning how to better cope with my depression.#and it turns out some of that advice is opposite to what you need if its autistic burnout instead#which im gonna assume i just kinda had both going on at various times#i just. im not sure what to do with my life.#but i guess first i have to make my life more baseline liveable and enjoyable before i start pondering that#change is hard. basically. thats what this was about.
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tfw the visiting researcher comes in and asks you if you watched the debate last night and you answer affirmatively but do not go into detail lest you be told that the Democrats would be right-wing in Europe
#this has happened to me before and it always makes me mad#it requires one to only count specific types of policy as left#and usually also relies on the fact that european countries have a more robust welfare state as a baseline#and i don't think it would be nice to tell a visiting research fellow 'your monarch has actual political power sit down'#the debate was fun though it was nice seeing trump get his ass handed to him#and i do like the visiting researcher!#even if he wears too much cologne#he brought us some really delicious cookies#but i have had this kind of experience before and am wary
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i need to go into freaklore more on this blog. i need to say more about the fucking mountains of detail i've ended up spitballing
#there's so much i don't know where to start. maybe the pre-tallest social statistics researcher stuff#or for a more current-freak relevant topic the jigsaw puzzle fondness as a metaphor for logistical intelligence despite awful social density#or the assassination attempt unrecognized trauma that only affects them so much because of the lack of meaningful struggle in prior life#and god knows what else but i think i'm getting ahead of myself considering the baseline stuff in itself is buried months ago
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may i suggest you IEUqLL8J4gI on youtube? spoiler: it's not actually about killing gods in jrpgs
I don't love video essays because of how they tend to conflate, oversimplify, and often misstate or misrepresent information. They also tend to be poorly organized/structured. I think this video falls into similar issues, and its framing of Japan is infantilizing and orientalist at times.
Your summary is a good example of why it's not well constructed— the essay should, actually, be about killing gods in jrpgs. Context isn't supposed to distract from the thesis; it's supposed to support and provide an analytical lens. Nothing exists in a vacuum (not even American video game tropes, despite what the intro implied, or even the outro with its overextension of classical theology). But I think the creator misses background context relevant to the point, overattributes to the West (and in doing so, strips substantial autonomy, sovereignty, and culpability from Japan), and conflates Eastern philosophies and religions (and attempts to compare both to the West without considering comparably influential Western philosophy at all). The essay also suffers from a common issue in media analyses online in that the essay contains very little actual analysis (the analysis doesn't begin until after 1 hour into a 1.5 hour video— and is very rushed with only thin connections made to only some of the background information).
But, I do appreciate the recommendation, and it was definitely interesting. I can only be critical because of the sheer amount of background I've inhaled and because I don't think I'm necessarily the target audience. I also struggle to critique anything unless there's something substantial enough to latch onto, and so, as far as I'm concerned, the fact I have specific criticisms at all speaks well of the recommendation.
#im stupidly picky and that's no one's burden but my own#i'm also in a research and analytical writing-heavy job that requires a terminal degree#so i have a remarkably unfair baseline expectation/standard for analyses#whereas the vast majority of things are great for what theyre tailored to be#but anyway.#i would say self effacingly that as you can imagine im not great at parties#but in undergrad we would have parties in which we made drinking games out of political and philosophical debate#and as an adult all of the parties i go to are full of like lawyers and programmers and shit so like#i actually do kill it at parties— but specifically parties for people who are poorly socialized so
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Friendship with your autistic brother is reminding him that the Pls End Convo safe word is HIS too
#snailsays#had to demonstrate boundaries again for both me and him#im coming down from a bad medication interaction and he's super freaked out that ill just suddenly go into mania again#but he was a Science Kid and has zero concept for: meds fucked me over = docs letting me decide when i should take them cause >#my parasympathetic nervous system is Hyper responsive to some stimuli AND hyporesponsive to others.#the docs are takling to him with my consent byt it's PHI so hes there to help me remember the recommendations#not to decide my dosage.#im still talking to all my doctors! im just sticking to phone calls when THEY call me tho. no need for Emergency Phone Appointments ya know?#plus my physical is on Monday anyway so they are going to look at my blood and update my baseline#i might have to wait a year for the MRI but im honestly not worried about it#in anycase i do genuinely hope i get in like a paper somewhere as 'research partipant no.247 was an outlier and removed from sample'#especially since this is not the first time ive been Weird on Psychoactives
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sometimes you can really tell when somebody who doesnt really know shit about guns is trying their damndest to make an educated guess on something related to it, and it can honestly be really cute when they're not being insufferable about it
#turtlegunrant#inspired by a post about the united healthcare gunman who clearly didnt have that much of a baseline for how autoloading pistols work but#goddamn did they try. they seem to have done *some* research. or at least are parrotting what they heard from somebody else who did some#shoutouts to them.
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I promised you some lions! Let's talk about manes, males, and management.
This is Tandie, the current male lion at the Woodland Park Zoo.

Notice anything odd about him? He's got one of those hilarious awkward teenager manes. Except... this cat is nine years old.

I was, of course, immediately curious.
Manes serve a lot of purposes for male lions, including being an indicator of health and fitness - it's actually a sexually selected trait and a social signal. Mane texture / hair quality / length is dependent on nutrition and the body having energy to grow (and carry around!) that much hair! The color is also a signal: males with darker manes have been found to have higher testosterone levels.
In one research report, wild males were much more likely to avoid a lion decoy when it had a longer or darker mane - but the girls really loved a dark mane. It's thought this is because a long, dark mane is an indicator of mate quality. Males with longer, darker manes have higher testosterone and were pretty healthy: meaning they had more energy for fighting, had a better chance of recovering if they got injured, and generally had a higher rate of offspring survival. Manes matter!
So, back to Tandie. He was actually born at the Woodland Park Zoo in 2014 alongside two brothers, to dad Xerxes and mother Adia.
This was Xerxes (rip).

Obviously, a very large, dark, lush mane on Xerxes here. So where did these blond muttonchops come from on his son?
I asked the zoo docents and got an answer that didn't make a lot of sense. They told me that after the three cubs grew into adolescents, they were moved to the Oakland Zoo together. But living together suppressed his testosterone, and he never grew a mane.
Hmmmm.
Here's a photo from 2016, when the brothers debuted at Oakland. They're a year and a half old in this photo.

(Photo Credit: Oakland Zoo)
And here's from an announcement for their third birthday.

(Photo credit: Oakland Zoo)
Okay, so these dudes obviously all were growing manes as of 2017. I think Tandie is the one on the left in the first photo, and laying down in the middle on the second. What happened?
I was just in the Bay Area for a zoo road trip, of course I went to Oakland and tracked down a docent to ask some questions.
It turns out that shortly after the brothers turned three, they started acting like adult male lions: they started scuffling regularly. It's a normal social thing for male lions to live in groups, called coalitions, but according to my lion experts there's generally a baseline level of some social jostling within them. It wasn't quite clear from what the docent said if they couldn't manage the boys together, or if they just wanted to avoid the scratches and small wounds that result from normal lion behavior. Regardless, they put all three of the boys on testosterone blockers in order to be able to keep them together as a social group.
Now, I don't know a lot about the use of hormone alteration as a form of captive animal management, except in the case of birth control. I don't think it's something that's unethical - there was just a webinar on it that I saw go by - but I don't think it's commonly done with big cats. Lions have kind of complicated reproductive cycles, and for instance, we've been learning that female lions can take much longer to come into estrus again than expected after coming off hormonal birth control.
In males, testosterone blockers (or being neutered) means they lose their manes. This is why a lot of rescues will do a vasectomy on their males instead of a neuter - it allows them to keep their mane and the social signals that accompany it.
Tandie returned home to Woodland Park Zoo after Xerxes passed in early 2022, and the docent told me all of the lions had been off their blockers "for while." I'd guess those things happened around the same time, since bringing the trio down to a duo at Oakland would reduce some of the social tensions.
Hormones are such interesting things, though. One of Tandie's brothers has a full mane again, and the other is still totally mane-less.


As for Tandie, his mane is growing back in, and it looks like he might rival his dad for length and coloration.
He started here, in February:

Yesterday:


What a difference four months (and maybe proximity to a girl) makes!
#big cats#lion#african lion#big cat behavior#zoo animals#zoo animal welfare#captive animal management#zoos
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once again thinking about shade making content about her life and being goth in her modern universe. idk I just like both the "get goth with me" and "ungoth with me for xyz" videos and she would do both tbh. I also just. kick my feet imagining a young shade learning to do her makeup from watching tutorial videos. being a baby bat. ; w ;
also not me forgetting that medieval goth is a thing
#《 ° puffin.exe 》 im a puffin ! i dont do much#° mobile post !#° meta discussion !#also i just want to say im doing my best to do research that isnt just baseline aesthetics !!#im getting a lot of my info from content creators. which in turn are inspiring shades modern universe heheh
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This is a fantastic indicator / guideline of expected wordcounts re: genre and a perfect example of why I actually said 'fuck traditional publishing' and went in an entirely different direction with my writing, in order to become a successful writer.
Publishers definitely won't take an 800k contemporary romance that focuses on the same two people, with plenty of therapy sessions throughout, but y'all* will generously do that, and reread it, and leave the most incredible comments.
Mainstream readers generally aren't interested in a 450k single installment hardcore BDSM m/m high/epic fantasy (okay, they'd be a bit more interested now, right when mainstream distributors are rejecting more and more of this content when it's queer), but y'all gave me a career out of it. (To say nothing of the further 1 million words that came in this series).
It's true, if you're aiming get published in a traditional fashion (idk many authors who want to do this anymore, but the dream still persists for many), it's important to learn the standards and the formula for your preferred genre/s. You'll then be expected to broadly only ever publish in that genre, or close to that genre, and if you want to branch out of it, you'll often be expected to create your own pseuds (I know some writers with over 5 or 6 now, because they wanted to write in 5 or 6 different genres). This is thankfully starting to change, usually with authors so well known they can get away with it. And if that's the path you want, it can be a really great way to make writing work, especially if you do genuinely love things like rapid release (relevant in romance, horror, crime, mystery, new adult, YA etc. in particular), and a publisher taking the bulk of your profits (if you're not self-publishing), and heck you can do it self-publishing too and keep the bulk of your profits and make it work super well!
But for those of us out there who never liked reading most of this stuff when it fits in the stock standard formula (or who didn't know there were other options), who found our way to serials, fringe fiction, fanfiction, indie fiction (remember when Captive Prince started on Livejournal as a serial?), original fiction on AO3 that's 250k intense contemporary romance, I'm here to tell you that there are authors writing what you crave, readers who will read what you write, and want to support it, through word of mouth, financially if they can afford it, and more.
There's more than one road on this path, and the formulas are a great way to learn when you're breaking them, and which readers will stick by you because they always wanted that and just didn't know (or did know), when you do.
Also, publishers like Tor and others will 100% publish a 40k high fantasy novella, depending on what they're focusing on that year. Keep your ear to the ground re: submissions, even the trad pubs are often looking to break out of formula with new imprints or waves of publications. Indie publishers like Twelfth Planet specifically target novellas only (like Icefall by Stephanie Gunn which is hard science fiction but only about 20k from memory). So as long as you're willing to call your shorter high fantasy / hard sci fi / hard fantasy etc. a novella, you can get into trad pub a lot more easily than you think. And it's a great step into novels if you break in to Tor etc. this way.
*My readers
Word Count Matters
If you’re aiming to get your manuscript actually published, word counts are just one more thing you have to be aware of—especially in traditional publishing. Unfortunately, no one is going to publish a 100K children’s storybook, or a 40K high fantasy. That’s because each genre comes with its own expected word count, and while you might get away with being a bit under or over, you should be aiming for that ideal range.
Here's the genres and their typical word count ranges ~
Mysteries/Suspense: 70K-90K
Crime: 90K-100K
High-Fantasy: 100K+
General Fantasy: 90K-120K
Horror: 80K-100K
Sci-Fi: 90K-125K
Speculative: 75K-125K
Romance: 40K-100K
New Adult: 60K-85K
YA: 70K-90K
Middle Grade: 25K-40K
Picture Books: 50-1000
And some general guidelines for what counts as a novel vs a short etc:
Novel: 50K+
Novella: 20K-50K
Novelette: 10K-20K
Short Story: 1000-10K, but ideally 3K-8K
Flash fiction: 1-1000
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#reference#i tried trad pub#though admittedly mostly through doing cover art#and short stories#it is profoundly not for me#for those it works for it's incredible#and this guideline is great for folks who need to know#especially because 10 years ago 40k wasn't the baseline for a romance novel#rapid release (particularly through KU) has destroyed the old standards#so it's good to know that these update every 1-2 years#and are not static#this wordcounts will change over time#i would say YA is actually already hitting the 40-60k mark#depending on which Big 4 publisher you're looking at#always research#and if you want to trad pub#always be prepared to butcher your works if you need to#with some solid editing#epic fantasy books used to be allowed to get away with much higher wordcounts than they do now#but attention spans have changed#anyway a great reference post and a salient reminder#of why i walked away from all of this#and am so much happier now
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superficial analysis of music annoys me deeply
#....superficial analysis of any media#....maybe even just anything in general?#like. i dont mind superficial conversations or interpretations#like death of the author or whatever#art is about what you make of it as much as it is the artist's expression#but if you want to know the “true” meaning or whatever#do even a minor amount of research please#it might be that i have a stronger baseline knowledge of media analysis and common literary devices and just a series of random shit im int#so there's a lot that can be inferred from just listening and understanding external references as shorthand for feelings and concepts#and so maybe the amount of research i want from others is unreasonable.#but it's so irritating to see people not even consider double entente in their analysis. genuinely taking shit at face value.#just please god read between the lines sometimes#is this pretentious?#ALSO sometimes it's not that deep! Sometimes the point of art is what does this do for you? huh? or just being like. Pretty neat#ideas or demonstrations of technical skill and mastery of a medium#Art doesn't have to mean anything in particular but sometimes it does and i think learning that is important if your goal is understanding#or deeper appreciation for an artist or whatever#idk. just. get interested in the background of things you really like! theres so much to be learned!#whateverman
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i already hate the “octavius is an emperor” thing with all my being but when people explicitly write him to be emperor augustus (which i already do not like) and try to act like he was a good person ???? like having octavius talk about how he’s trying his best to be a good emperor for his people and blah blah blah girl fucking EMPEROR AUGUSTUS ?????? MR PROSCRIPTIONS ????? A ROMAN EMPEROR ?????? come on man
#i am always saying that historical accuracy matters WAY more than people think it does#like who cares if you call octavius’ tunic a toga because you don’t know the right words for roman dress#like genuinely who cares#but if you’re trying to defend a fucking roman emperor and act like he was a benevolent well intentioned man then that’s fucking insane#perhaps real historical figures should not be your little OCs to play about with#perhaps if you are going to use a real and very famous name you should like. do even a baseline level of research into then#i prefer octavius to just be a generic general for SO many other reasons but it’s partly because it works best with the genre#he’s a comedy character in a lighthearted children’s franchise#we don’t need the weight of him being a Known Named Roman#not that we should water down history for kids and act like romans were harmless#but like. you get what i’m saying
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i love finding a youtube video about a topic i know nothing of and watching the video to hear about someone who discovered smth, did some research, and decided to compile what they had to tell an audience about it. thats so fun!! tell me what u learned and i will have a head start in learning about it before i do my own research <3
... what i Dont love about watching these videos is scrolling through the comments to see shit like "u didnt mention..." wherein the video maker certainly Did mention u just wanted to correct them OR "well ur wrong about all of this bc My life was..." followed by "this was more enlightening than the whole video" even tho the og commenter talked about smth completely unrelated.
idk why this happens on smaller content creators or esp smaller female-presenting content creators but it has Got to stop. just bc they dont "rank" the topic (yes im talking to u plainlydifficult 😡) theyre "educating" (i use this lightly) the audience about does not mean theyre not a person and it def doesnt mean theyre someone u should just click on to stomp on. id also go as far to say lots of smaller content creators who do historical or scientific topics do better at showing their resources and the facts as is than bigger accounts on yt that claim to be historically or scientifically accurate.
okay im rlly mad about this. stop shitting on people who actually put work and effort into topics and concepts theyre intrigued by and interested in and thus wanna share what they found in a neatly compiled video. watch ur non sourced videos about serious topics somewhere else
#im like. RLLY MAD#i kinda. shouldnt be? but i cant help it#its the fucking internet and obvs people are dicks in yt comments#i just needed to at least spill these thoughts out of me so they dont plague me#if u have the ability to be nice on the internet then be nice first#and if u dont like the way a person covers a topic then thats fine!! GO AWAY#u dont have to watch it for any specific reason and ESP NOT if u have a baseline hatred#that makes the info u consume on a video u hate just from the thumbnail all clouded in bias!!!!#protect urself from the plague of bias by CLICKING THE FUCK OFF#not that were all safe from bias but yeah uknow#tbh i mostly just dont want good researchers to be discouraged#they have things they like to look up and cover all the details of with compassion for the real ppl involved#i think thats beautiful and so so good esp bc learning!! is fucking fun when ur passionate#so yeah#😠stop#gata
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v i a g r a

pairing: sylus x reader
summary: you worked in a pharmaceutical company that had recently developed a libido-enhancing drug. however, it had only been tested on the average people. it needed to be tested on someone with an already high libido. who could be a better test subject than your boyfriend?
an: i dont knowwwww. this is my first time writing smut. lemme know if you feel the knot-in-your-stomach typa feeling. bet you cant tell this was inspired by innocent birdcage ;). and btw this is NOT related to my other sylus fic im working on, its a oneshot.
genre: sylus, love and deepspace, smut, p in v, cunnilingus, creampie, reader is a researcher, established relationship, slight degradation, 18+ content
The lab was quiet at this hour, the glow of screens illuminating the sterile surfaces. You tapped a finger over the data pad as you scrolled through the latest results. Perfect efficiency, zero side effects. Your company had managed to create a libido-enhancing formula that promised to provide pleasure and only pleasure—nothing else. However, there was one small issue. The formula had only been tested on ordinary people, and there was still one variable left untested: the effects of the revolutionary drug on someone already with a high libido.
And that was how Sylus ended up sprawled across your exam table, looking far too pleased with himself. “Remind me again why I’m the ideal subject?” He knew exactly why, but he needed to hear it from your lips. Again.
“We needed someone with a high baseline stamina, rigor, and elevated natural response,” you replied confidently, refusing to let your voice waver.
He smirked at your response and repeated the word elevated like it was an inside joke, stretching just enough to make the fabric of his shirt rise, revealing his toned abs. Not now. But you couldn’t help yourself and stole another glimpse. He was truly beautiful everywhere.
He noticed your gaze. “Like what you see, kitten? Or should I say doctor?” You ignored that—or at least tried. But he knew exactly what he did to you. You adjusted the sensors on his wrist and walked to the monitor to check his vitals. His pulse was steady, strong. Like he knew where this was going.
“Administering the dose now,” you said, handing him the pill with your gloved hand. Sylus took it slowly, his fingertips brushing yours with deliberate intent before popping it into his mouth. He swallowed, never breaking eye contact.
“How long until it kicks in?”
“Approximately twenty minutes.” You turned back to the monitors, determined to focus on the numbers and not the way he was watching you.
“So, we’ve got time to kill.” His voice was a low purr. You knew what he meant. Knew exactly where this was going. But professionalism was a flimsy shield against Sylus when he got like this.
The first alert chimed on the monitor. Elevated heart rate. Pupil dilation. You didn’t need the screens to tell you what you could already see—the way his breath deepened, the way his fingers flexed against the table like he was holding himself back.
“Interesting,” he murmured, tilting his head slightly. “This feels faster than usual.” His gaze dropped to your lips. You caught him wetting his own, you weren’t mistaken.
“You should take notes, doctor.”
Oh, right. You hastily reached for your journal and started scribbling. You needed to record the exact time the dose was administered and when the effects began. But your attention snapped back to the monitor when it buzzed. You frowned. The sensors were going wild. Panic set in as you turned to Sylus, and the sight alarmed you. His face was flushed, bangs stuck to his forehead from sweat. He was panting.
“Oh, shit! Shit!” You ran to him and placed your hands on his shoulders, but his body heat seared through the fabric. The drug had worked fine for everyone else, but this was the first time you’d seen this. You racked your brain. You’d studied for this. Now was not the time to panic. Apply the knowledge!
Okay, follow the protocol. You dashed to the cabinet for diazepam. He needed sedation and close monitoring. Just before you could inject him, he grabbed your wrist. Just enough to make your breath hitch and sat upright.
“You’ve been so thorough with your research.” His lips brushed the shell of your ear. “But don’t you think it’s time for a more hands-on approach, doctor?”
You opened your mouth to protest—this was supposed to be professional, controlled, but his lips grazed your neck, and the words dissolved into a gasp. His hands slid down your hips, gripping hard as he lifted you onto the exam table, knocking aside vials with a careless sweep.
“Won’t you help me, kitten?” His eyes flashed with feral hunger. A low growl rumbled in his chest as he closed the scant distance between you.
He kissed you like a man starved. His lips molded against yours in a hot, demanding kiss, tongue delving into your mouth to claim it. One hand fisted in your hair, holding you in place, while the other gripped your hip, yanking your body flush against his. He nipped your bottom lip, soothing the sting with a swipe of his tongue before diving back in.
“Fuck, you taste so good,” he groaned against your lips. His hands slid down to palm your ass, squeezing as he pulled you tighter. You could feel his thick, rigid length straining against his jeans. The sensation made you moan into the kiss.
He released your hair, grabbed your hand, and pressed it against his hardening bulge. “You feel that, kitten? You made me so fucking hard.” He lightly bit your lip. “Been thinking about how good I’d fuck you, make you come all over my cock.”
His words were filthy, incredibly arousing. You couldn’t help but imagine him taking you raw, making you feel so good. But he’d read your thoughts.
“You want it too, right? Say it, kitten. Beg me to fuck you like the little slut you are. Hmm?”
All he’d done was kiss you, but you felt like you were floating. You didn’t care about the experiment anymore—you just wanted him.
“P-Please, Sylus…”
“Please what? Use your words, kitten.” He rocked into you, letting you feel how much he wanted you, how hard he was already.
“I want-want you to f-fuck me, Sylus.”
“Good girl.”
His hand slid under your shirt, calloused fingers skimming your stomach. He paused at the underside of your breast, thumb teasing the edge of your bra. “You wanted data? Let me show you exactly what your little experiment does to me.”
He yanked your top off and latched onto your neck, pressing sloppy kisses and bites into the sensitive skin, marks that would linger. The drug’s effects were evident in his movements: impatient, relentless. The monitors were a mess of erratic beeps, but neither of you cared.
With an expert flick, he unhooked your bra and latched onto your breast, his free hand sliding down your stomach, fingers dipping beneath your skirt to tease the wet heat between your thighs.
“Fuck,” he growled against your chest, voice dripping with lust. “Already soaked for me, kitten?”
You gasped as his fingers pressed against your clit, circling just enough to make your hips jerk.
“S-Sylus—the experiment—”
“Oh, we’re still experimenting,” he purred before kissing up your throat and capturing your lips again. His tongue plunged deep, mimicking the filthy rhythm of his fingers as they slid inside you, curling just right to make you cry out. “Maybe not in the way you planned.”
Without warning, he plunged three fingers into your dripping cunt, making you gasp and arch off the table.
“Fuck, you’re so wet,” he groaned, pumping his fingers in and out. “So fucking ready for me.”
Sylus knelt, his tongue lapping at your clit as his fingers curled inside you, stroking that spot that made your toes curl. He suckled hard, fingers speeding up, fucking you with ruthless intensity.
“That’s it, baby. Soak my fingers. I want to feel you dripping all over my cock when I split you open.” His voice was a filthy growl against your skin.
You could feel your walls fluttering around his fingers, your body tensing as you neared the edge.
“Come for me, sweetie. Come all over my fingers like the desperate little slut you are.”
His thumb pressed hard against your clit, rubbing tight circles as he finger-fucked you wildly. The obscene sound of your arousal filled the room. His eyes met yours, wicked gleam in their depths as he waited for you to shatter.
The orgasm crashed over you, your back arching as Sylus wrung every last drop of pleasure from your trembling body. Your thighs clamped around his head, fingers tangled in his hair.
But Sylus wasn’t done. He licked you clean until you were a squirming, overstimulated mess.
“That’s it,” he murmured against your thigh, pressing a kiss to the sensitive skin before pulling away. His lips glistened with your arousal, and he licked them slowly, savoring the taste. “So fucking delicious.”
You were still catching your breath when he stood, unbuckling his belt with deliberate slowness. His eyes never left yours, dark with hunger.
“Now, where were we?”
The leather slid free, and your pulse jumped. He smirked, letting the belt drop before popping the buttons of his jeans. The denim slid down, revealing his thick, straining cock, already leaking at the tip. He palmed himself with a groan, stroking slowly as he watched you.
“I hope you’re taking notes, doctor.”
Your mouth went dry. The drug had amplified everything. His scent, the heat rolling off him, the way his muscles flexed. Professionalism was long forgotten.
Sylus stepped forward, yanking your hips to the edge of the table. His cock brushed your soaked folds, making you shudder.
“Tell me you want it,” he hissed. “Tell me you need me to fuck you.”
You didn’t hesitate. “I need it. Please, Sylus-”
He didn’t make you beg again.
With one brutal thrust, he sheathed himself inside you, filling you to the brim, drawing a sharp cry from your lips. He was huge, stretching you impossibly full.
“So fucking tight,” he hissed.
For a moment, neither of you moved, overwhelmed. Then Sylus pulled back and slammed into you again, setting a relentless pace. The exam table rattled, monitors beeping wildly, but the only sounds that mattered were the filthy slap of skin and your ragged gasps.
Sylus’s hands gripped your thighs, spreading you wider as he drove into you, each thrust hitting that sweet spot.
“That’s it. Take it,” he growled, voice strained. “Take every fucking inch.”
You could feel another orgasm coiling fast. Sylus sensed it too, his fingers finding your clit, rubbing tight circles as he angled his hips just right.
“Come for me,” he ordered. “I want to feel you squeeze my cock like a good little slut.”
The command shattered you. Your walls clenched around him, pleasure erupting as you came with a broken cry. Sylus fucked you through it, his control fraying, thrusts turning erratic.
“Fuck, you’re milking me so good,” he snarled, fingers digging into your hips hard enough to bruise. “Gonna fill you up, kitten. Pump you so full of cum you’ll feel me dripping out for days.”
The filthy promise sent another wave of heat through you. Sylus’s rhythm stuttered, his cock twitching as his release tore through him. With a guttural groan, he slammed into you one last time, hilting himself deep as hot ropes of cum painted your walls.
You whimpered at the sensation, oversensitive body pulsing weakly around him.
For a moment, the only sounds were your ragged breaths and the wet slide of Sylus’s cock still lazily thrusting, spreading his release. His forehead dropped against yours, breath uneven.
“Fuck,” he panted, lips brushing yours. “That was-”
The monitor let out a shrill beep. Sylus didn’t flinch.
“Turn it off,” he growled, nipping your lip.
You slapped at the buttons until the noise stopped. Sylus chuckled darkly, hands sliding up to cup your breasts, thumbs teasing your stiff nipples.
“Good girl.”
His cock was still hard inside you. You gasped as he rolled his hips, dragging against your sensitive walls.
“S-Sylus--”
“Mmm, not done yet,” he murmured, lips trailing down your throat. “That little drug of yours? It’s got me fucking insatiable.”
His teeth grazed your collarbone. “And you’re not walking out of here until I’ve had my fill.”
Before you could process the threat, he flipped you onto your stomach, yanking your hips up until your ass pressed flush against him. One hand tangled in your hair, forcing your head back as the other guided his cock back to your soaked entrance.
“Can you take it?” he demanded, voice dripping with lust.
You whimpered, already aching.
“Y-Yes--”
Sylus didn’t wait. He slammed into you in one brutal stroke, sheathing himself to the hilt. The force knocked the breath from your lungs, fingers scrambling for purchase as he set a punishing pace.
“That’s it,” he growled, grip tightening in your hair. “Take it like the fucking slut you are.”
The filthy praise sent sparks through you, your body responding eagerly even as pleasure bordered on pain. His free hand found your clit, rubbing rough, relentless circles.
“Gonna make you come again,” he promised, voice dark and sinful. “Gonna make you scream so loud they hear you in the next lab.”
You couldn’t hold back the broken moan as his fingers worked you in time with his thrusts, the dual stimulation pushing you toward another dizzying peak.
“Sylus-!”
“Say my name like that when you come,” he ordered, hips snapping forward hard enough to make the table creak. “Let me fucking hear you.”
You shattered with a cry, body clamping around him as pleasure ripped through you. Sylus swore, rhythm faltering as your tight heat milked him through his own release. He buried himself deep, grinding into you as he came, groan muffled against your shoulder.
For a long moment, the only sounds were your heavy breaths and the soft drip of sweat and cum onto the floor.
Sylus finally pulled out, hands smoothing over your trembling thighs.
“Well, doctor,” he purred, pressing a kiss to the small of your back. “I’d say your experiment was successful.”
You collapsed onto the table, boneless and utterly ruined.
You looked around. The lab was a disaster.
Sylus chuckled lowly, taking in the wreckage—overturned vials, scattered papers, blinking monitors. His gaze drifted to you, still sprawled and trembling. A smirk tugged at his lips, but his eyes held something softer.
“Looks like we made a mess, kitten,” he murmured, brushing a damp strand from your forehead.
You groaned, weakly swatting his hand. “You think?”
Sylus laughed, offering his hand. “Come on, sweetie. Let’s get you cleaned up.”
You hesitated, but his fingers curled around yours, warm and steady. Your legs wobbled, and he didn’t miss your wince as your feet touched the floor. Without a word, he slid an arm around your waist, pulling you against him.
“I’ve got you,” he murmured, lips brushing your temple.
You wanted to protest, but your knees threatened to give out. So you let him guide you to the sink, where he wet a cloth and gently wiped away the sweat and stickiness.
“You didn’t have to-”
“Don’t,” he cut in, thumb tracing your jaw. “Just let me take care of you.”
No teasing, no smugness. Just quiet sincerity.
Once you were steady, Sylus turned to the lab, righting equipment and gathering papers with surprising efficiency.
You watched, lips quirking. “Since when are you so domestic?”
He shot you a smirk. “I have hidden depths, sweetie.”
You rolled your eyes, but your chest felt strangely warm.
By the time the worst was cleaned, exhaustion weighed on you. Sylus noticed immediately, his arm slipping around your waist again.
“Let’s get you home,” he murmured.
You leaned into him, too tired to argue. “You’re not carrying me.”
Sylus grinned, pressing a kiss to the top of your head. "Wouldn’t dream of it, doctor."
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